I asked AI for an image of a mundane dream, and this is what it gave me…
Snoozeville
I wouldn’t spend so long a-bed If my dreams didn’t bore me so – But I wake-up with a weary head, As I sense their dullness go. What trite is my mind assembling In its gaudy world of fake ?, That is clear not worth remem’bring, ’Cept for a disappointing ache.
Interesting that AI has given each flower a shroud…
Free-Market Free-Fall
When I first heard That we were living In the throes of ‘Late-stage capitalism’, Well, I was cheered-up At the vibes this was giving – That the end was in sight, Be it progress or schism.
I mean, just how late Can a ‘late-stage’ be Before it collapses To Marx or to Keynes ? But no, it seems That it still staggers free, Like a zombie economy Sucking our brains.
And meanwhile, it looks like The environmental Cannot hang around For the axe to come down And the final blow-out Will not be gentle, Salting the earth And polluting the town.
The cancer is terminal, Now we all know – So just topple already, Accept your fate ! But for most of us, Still the car crash is slow – And the late-stage’s ending Is far too late.
Thanks AI – any kids this fake-looking must be mythical…
Epic Names
Back when Zeus ruled ancient Greece, He was the only Zeus around – No mere mortals dared to name their children So profound. At best, they’d add a suffix, To become an adjective instead – So Martins are collectively “of Mars”, And careful how they tread. We also have Demetrius To celebrate Demeter – But not, we note, to claim to be the goddess, To unseat her. Now heroes, these were fairer game – From Jason through to Herekles, By way of Helen and Cassandra – Citizens were fine with these… But it took until the Renaissance For the coming of Daphne, Phoebe, and Chloe – And Diana, of course, though she’s Roman, not Greek – But all were equally showy. And here in the Twenty-First Century, Our mythical children thrive – As Athena, Apollo, Aurora, and Atlas Are keeping the gods alive !
There’s something fishy going on, I don’t know what it is, But it’s going on – some dodgy con, Some secret funny-biz. There’s a smirk-and-giggle marathon That long has lost its fizz.
Someone wants to put one over, Someone in the know – But they never let me in on it, Whatever is their latest bit – I guess they fear exposure, When the gaff’s about to blow – Or they think me far too sober, And in want of waggish wit.
But there’s something fishy going on, And I’m the one who’s got. The denouement must have been and gone, Though who can say for what ? Yet if I’m the chump they prey upon, Their diddly’s full of squat.
So someone wants to crack an egg, And let a punchline slip – Or…am I getting paranoid, Convinced it’s me who’s getting toyed ? If jokers want to pull my leg, They need to get a grip – But if the butt’s no powder keg, Best grin into the void.
That ain’t a Dodge ! What’s a Dodge ? Something Yankee. Just trying to bodge with some Hollywood chic. But this was the Eighties, Capris and Mercedes – American cars were all tanks, they weren’t sleek ! For no British kid ever did Know a Dodge – And no stodgy old hodgepodge Could juice-up your toy. So out with your Rambo, And give him a Lambo, For coast-to-coast pure post-apocalypse joy.
The image above is from Fighting Fantasy book 13 – Freeway Fighter (1985).
There’s a new Poem on the Underground, Right next to the ad for the dating app – Looks like there’s another one, further down, On the other end of the network map. But the train’s too full to shuffle along, So I’ve just this one to read today – On my morning commute with the weary throng, Through another week of beige and grey. So let’s see what it has to say:
As the carriage rattles and brake-shoes feud, The poem prattles on solitude – As my neighbours crush me, jolt and seethe, It says don’t touch me, let me breathe – As the battered shrubs and brownfields pass, Its country clubs are a joy of grass – In a world of stressed anomalies It offers endless homilies.
The Basel earthquake of 1356 by the ever-busy Anon
Timid Tectons
Britain sits at the heart of its plate, So far from the faultlines, far from volcanoes. Though Arthur’s Seat and the Giant’s Causeway celebrate How we once had those Britain sits where the crusts are thick, Though they used to bend, as the Great Glen shows. And Lincoln lost its cathedral spire, when a final kick Gave some glancing blows.
An Alchemist in His Laboratory after David Teniers the Younger
Chymistry
The alchemists assigned the ancient metals To a planet each: The Sun is gold, and brightsilver the Moon, Or so the heavens teach. While quicksilver is Mercury, And Venus has a copper heart. And Mars is cast in iron, clearly, In their philosophic art. Old Jupiter is made of tin, And Saturn is a lump of lead – (Or bendledd, as I like to think They should have called the stuff instead.) And that was the edge of their knowledge, And Uranus came too late – But what might they have named his element, To match his fate ? I think redledd – bismuth, Though they did get them confused – And Neptune can be brimstone, Since that still has not been used. But what of the others ? Like the Earth ? I guess that must be carbon coal. And plainsight-hidden Ceres is our makebrass zinc – That fits her role. And banestone Pluto gets to stand For ars’nic, dark and glimmer-free, Till dim and distant Eris is our stibblack, For antimony. Of course, we really did get chemicals That have all grown with them – That’s how we got uranium, Neptunium, plutonium, (And much-forgotten cerium) And all the secrets each unlocks. One wonders what the alchemists Would make of such explosive rocks…?
Note that antimony has its stress on the second syllable (as it should be…)
And of course, these days we’ve actually found the philosopher’s stone that can turn other metals into gold – only these days we call it a supernova instead.
I slipped a copy of my self-published collection Into the longed-for shelf Of the Poetry Library. Finally, I had overcome the rejection, To stand alongside some Of my heroes, my tribe, my key.
Oh sure, one day a snooty librarian Will pluck-up my root And toss it away – But until then, let it be egalitarian Where a browser can see What it has to say.
And it isn’t only my guerrilla slim volumes That compete with the filler Of our daily round – I’ve also prepared some placards à la plume To cover-up the Bards On the Underground.
But my best reach for well-placed words, I think Is not to just paste My flyers on a fence – But when I fill all the walls with my ink In the lonely stalls Of convince.